Macrosystem Bogart SE Ver.2 User manual Manual do Utilizador descarregar pdf (Página 96)

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Appendix

tic´ display mode. If you choose a time value larger than 0, the

automatic system delays the switch from a 4:3 to 16:9 image

(and vice versa) by that time. This way, TVs do not have to

constantly switch between 4:3 and 16:9 display. Some TV sets

may ﬂicker and display wrong information during this time, but

it‘s not harmful.

The function `Conﬁgure quick mode change´ is only for use

with the optional remote control. As you can‘t always use the

above described method to quickly switch between display

modes, you can use this function to conﬁgure the remote to

handle the job. The screen shows the chosen display method

and all available display modes. In fact, it shows both screen

outputs. Click the boxes for each mode you wish to use with

the remote. Now, each time you can use the more to switch

through all the ticked display modes. For example: If you

activate both `Screen 1´ and ´Screen 2´ boxes, you can use

the remote to switch between all the modes available for both

screen outputs. This can be very useful if you are using a TV

with both SCART/AV and DVI connection to your editor.

Switching display modes during playback

When you ﬁrst press the programmed button on the remote

(e.g. the red heart symbol), the current mode will be shown in

the top right corner. It dœs not yet switch to another mode.

You can use this to check the status of the current mode.

Press again to switch to the next activated display mode. The

screen will switch after a short while, not immediately. If you

quickly press again, you will skip this mode and move on to

the next. You can press OK to speed up the process. Press

`Return´ to cancel.

Cinema mode

This has an inﬂuence on the DVI/HDMi output, not on the

SCART/AV connection. It is to be used for some ﬁlms, created

speciﬁcally for the cinemas, not for TV recordings. The option

optimizes the HD signal. The `Automatic´ option allows the

system to ﬁnd the best setting itself. Sometimes, the required

information is not available, so that the `automatic´ feature

may select the wrong setting. If you are unsure or if you notice

picture artefacts (in particular when watching a TV ﬁlm with the

Cinema mode), simply deactivate the Movie mode.

same time and remains blank. You have to conﬁrm a selection

ﬁrst, before the system switches to the other output. If you

do not conﬁrm within 30 seconds, the system reverts back to

the previous output. The editor‘s front display will show you a

countdown.

The function `Format´ is used to set up a 4:3 or 16:9 screen for-

mat. Older TV sets usually have a 4:3 aspect ratio, newer sets

(LCD, Plasma) often already have a 16:9 ratio. When watching

a 16:9 ﬁlm on a 4:3 set, you can set up four different modes for

display:

- 1:1 Automatic (borders on top/bottom)

This mode offers the best quality for both 4:3 and 16:9 ﬁlms

and always shows the complete image. To achieve this, it

is required that the signal is connected via a full-pin SCART

cable, which also supports the 4:3 and 16:9 switch (switched

voltage). Newer devices usually support this. You may need to

check the manual of your TV set. If 16:9 ﬁlms are shown with

bars at the top and bottom, everything is correct. Just try it

out. If the signal is stretched, check your settings and cables. If

it dœsn‘t work, you will have to select the following mode `1:1

scaled´.

- 1:1 scaled (borders on top/bottom)

Older 4:3 sets (TVs or beamers) often do not support the true

16:9 format. Even if you connect the system via SCART, the

picture may not be shown correctly. In this mode, the Cas-

ablanca will always show a 4:3 signal. True 16:9 ﬁlms will be

shown in 4:3. The picture quality in this mode is around a 25%

lower amount of lines. This is a Letterbox format, such as the

format used by some smaller Pay-TV channels.

- Enlarged (cut off left/right)

Both previous methods have the disadvantage that a 16:9 ﬁlm

only uses a portion of the screen. The top and bottom of the

screen is covered with bars. When you activate this mode, the

screen is zoomed. The bars disappear and instead, parts are

cut off left and right. With some ﬁlms, the sides of the ﬁlm may

not be that important. Please note that some ﬁlms originally

ﬁlmed for the cinema are even wider than 16:9 (Cinemascope,

2,35:1 or similar). Despite the zoom effect, borders may still be

visible at the top and bottom if the screen.

- Panorama (left/right compressed)

This setting too `stretches´ the image so that the entire screen

is ﬁlled out. However, the image is not simply cut off at the

sides, it remains fully visible. For this purpose, the sides are

`squeezed´ to ﬁt. The middle section of the image remains

unchanged. Only very busy scenes or scenes with frequent

camera pans may pose a slight problem with distorted image

portions on the side. You can avoid this by choosing a diffe-

rent mode.

The option `Delayed switch between 4:3 and 16:9´ is only

functional when using the SCART/AV connection and `automa-

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